Sunday, March 2, 2025

CMBA Profile: Nuclear Theater



The CMBA is excited to feature our newest member, James Oliphant of Nuclear Theater, as this month's Member Profile. 


Why do you blog?

It’s a way to combine what I do for a living with what I love. I enjoy writing about films

but not necessarily as a critic or a scholar. It’s more in terms of my personal relationship

to the material – or its connection to history – or both.


Besides classic movie blogging, what are some of your other passions?

I like to write fiction, but I never finish anything. I like good whiskey when I can afford it.

We have a dog named Steve McQueen.


If you could program a perfect day of classic movies for TCM, what would be the seven films on your schedule?

Wow, this is such a great question. I guess it depends if I am doing it just for me or trying to entertain as many viewers as possible.

Let’s go with: (All pre-1967)

1. The Philadelphia Story

2. She Wore a Yellow Ribbon

3. The Sea Hawk

4. Trouble in Paradise

5. The Train

6. Sweet Smell of Success

7. In the Heat of the Night


What is a classic movie that you love, but most people don't know about - and what do you love about it?

This is a tougher question with this audience because people here know so much.

My answer is One, Two, Three directed by Billy Wilder and starring James Cagney. The

film satirizes the Cold War and American consumerism and the dialogue is rat-a-tat-tat.


What is something that most people don't know about you?

My great-great-grandfather was one of the American West’s first photographers.


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We thank James for participating in our Q&A profile and allowing us to get to know him better. Be sure to visit his work at Nuclear Theater.

Monday, January 20, 2025

Remembering Donna Hill: A good friend, kind soul and classic film champion

The classic film community lost a dear friend with the passing of Donna Hill at the end of December.

A member of the Classic Movie Blog Association, Donna was a talented author, historian, researcher, silent film authority and an expert on Rudolph Valentino. But above all, Donna was a wonderful friend and generous person to countless people, many of whom filled social media platforms and their own websites and blogs to share their memories of her.

"The outpouring of love for @rudyfan this morning tells you all you need to know about Donna Hill," Lara Gabrielle Fowler of Backlots wrote on X. "She was a warm-hearted, kind soul, generous with her knowledge and time, who took immense joy in uniting the community of silent film scholars and fans. She is so deeply missed."

That sums up what so many feel about Donna and what better way for the CMBA to honor her memory and legacy than through the words of our own members. Here are just a few thoughts about Donna.

* * * * *

“There have been many tributes, notes and remembrances of Donna on social media following her death,” wrote Thomas Gladysz of the Louise Brooks Society in his homage to Donna. “None failed to mention what a generous and supportive person she was to everyone she met in person - as well as to those she only knew online or through social media.” (You can read his full homage to Donna here.)

Many CMBA members and others in the classic film community met Donna at such movie events as Cinecon, the San Francisco Silent Film Festival and Pordenone. But, as Thomas wrote, you did not need to have met Donna in person to call her a friend or to be on the receiving end of her generosity.

Madeleine Langham of Classic Film and TV Corner sent us this note about Donna: “I got to know her a bit on social media a few years back and was so struck by her kindness. She was so generous with her time to everybody who had questions. Her knowledge of all things Rudy Valentino was unsurpassed. I can't believe she's gone. My heart goes out to all her friends and loved ones. She will be greatly missed.”

Donna Hill's book on Rudolph Valentino comes with praise
 by Leonard Maltin (cover) and Kevin Brownlow (back).

Lea Stans shared lovely memories of Donna on her blog Silent-ology, the full text of what you can read here; below is an excerpt.

“If you’re in the silent film community but have never met Donna, you’ve probably heard of her at one time or another. A Rudolph Valentino expert, she was always happy to share her extensive knowledge,” Lea wrote. “She seemed to know simply everyone, and was friends with everyone, and was more than happy to become your friend, too,”

“Donna encouraged many, many people in our niche community. Who knows how many projects wouldn’t exist today without her kind words and her generosity in sharing images and other rarities from her collection. Few people were as tireless and as positive in the quest to research this era we all know and love,” Lea continued.

 * * * * *

Donna’s knowledge of film history and trivia was unparalleled as members of the CMBA witnessed during a virtual Covid-era quiz game hosted by Sylvia (FilmFanatic.org) and Hal Astell of Apocalypse Later.

“I vividly recall Hal's voice saying again and again, 'Donna is the winner!,' 'Donna's on a roll!.'  Sylvia said.

She also shared a group photo, above, with Donna in the upper left corner. “We look serious but we really were having a blast!,” Sylvia wrote.

Kellee Pratt, former CMBA president whose blog is Outspoken & Freckled, also shared her memories of Donna on Facebook:

“Like so many in our classic film community, I heard of the shocking passing of a friend tonight. A fellow Old Movie Nerd. A Valentino scholar, her work on Dorothy Gish was still ongoing. Known on social media platforms as “rudyfan.” Donna Hill was first and foremost a kind soul. We live in an age where many of us live scattered across the nation and planet, but connect via online/social media. These friendships are meaningful, defying the barriers of the many miles of distance because we bond via kindness, kindred spirit, and a love of a common passion. In old movies. Say hello to Rudy for us, Donna,” Kellee wrote.

Samantha Richardson of Musings of a Classic Film Addict wrote this on X (@classicfilmgeek): "I have so many stories about Donna Hill’s kindness and selflessness from myself and others in the classic film community. Last year she was my Classic Film Secret Santa, and she used the opportunity to gift me a rare cookbook from 1938 I was dying to have but couldn’t afford."

  * * * * *

I came across a fun story about Donna on a non-classic movie food blog called In Our Grandmothers Kitchens, that was written by Tinky Weisblat after she won a copy of Donna’s book “Rudolph Valentino: The Silent Idol.” It was a book, Tinky wrote, that she had been "coveting for some time."

Though the story is from 2012, it still taught me things I didn't know about Donna, who loved to cook. Donna’s passion for movies started when she was 10; it was only a short while later that she saw her first Valentino film “Blood and Sand” on PBS. She bought her first Valentino photograph as a teen in the mid-‘70s and grew her collection into the hundreds, perhaps thousands, many of which she used in her 2010 Valentino book. The article also gave Donna the chance to merge her love of cooking with her passion for Valentino by sharing the recipe for Rudolph Valentino’s Secret Spaghetti Sauce. A great way to honor Donna would be to make the sauce to enjoy while watching a Valentino film.

  * * * * *

"It seems fitting to end with this post from the All About Rudolph Valentino website that is a beautiful remembrance of Donna. They left flowers for Donna at Valentino’s grave.

"Today, on this last day of an old year another day will bring a new day along with a new year. Globally the world will celebrate. But right now, it. all feels like a much sadder place with the news of the passing of our own Donna Hill , who held many titles to different people, colleague, author, great cook, silent film authority, dependable, editor, researcher, and lastly friend.

Donna was well known for her love of many things opera music, classic films, great food, silent film genre, British television and she shared this with anyone who had the same interests. Especially her beloved cat William Powell, who will miss her very much. Everyone who posted their condolences about her on numerous social media sites regarded her as someone who could be relied upon to help someone in need and shared her knowledge with all. She leaves behind a legacy that will be very much missed, by all who admired and loved her. 

Rest in peace Dear Donna you will be forever missed and forever loved by all who were lucky to know you.  God Bless…Flowers were sent to Valentino’s grave in her memory.”

-- Toni Ruberto for the Classic Movie Blog Association

 

 

Monday, November 11, 2024

CMBA presents: A Haunting Blogathon: In the Afterlife


Welcome to this Fall's CMBA Blogathon with the captivating theme of the afterlife in film. A realm where past and present are woven together and the echoes of lost souls connect us. But this exploration can also extend well beyond the supernatural. It invites us to reflect on the haunting nature of being tormented by the memories of trauma, abandonment, or unattainable love, the relentless pursuit of a dream just out of reach, or the depths of obsessions that linger like a shadow. Films dealing with the afterlife and hauntings are not all gloom and darkness. Some are quite funny and charming or have a unique beauty or performances that are haunting in themselves. These interwoven tropes reveal how we’re often haunted by people and events that shape our lives. In this coming season, which pays tribute to these inextricable experiences, let us celebrate! From phantoms to preoccupations… from the ethereal to the deeply personal.

November 11 Monday 
November 12 Tuesday
November 13 Wednesday 
November 14 Thursday
November 15 Friday

Sunday, November 3, 2024

CMBA Profile: Watching Forever

 


Each month, the CMBA profiles a classic movie blog written by one of our members. This month, we are featuring Toni Ruberto who writes at Watching Forever.



1. Why do you blog?

I love writing and I love classic movies, so it was natural to combine them. Blogging allows me to share my passion with others who are equally enthusiastic about classic movies and that, in turn, makes us part of a community. I also love blogging because of how much I learn doing it. When I write, I can’t help but get lost in researching my topics and that's fun. There’s always more to learn so the films feel new again, no matter when they were made.


 

2. Besides classic movie blogging, what are some of your other passions?

Hanging out with my extended family - especially my nieces and nephews - is at the top of my list. It’s fun to go to movies and the occasional pop-culture convention with them and see things through their eyes.  I  love reading and watching classic films - especially horror, B-movies of the 1950s and romantic melodramas(!). For years, I’ve collected movie stills and books and those have become very helpful in my blogging. I volunteer with an animal rescue group called ABC Basset Rescue and also with the local SPCA.

 


3. If you could program a perfect day of classic movies for TCM, what would be the seven films on your schedule?

I know most of us have a hard time answering this question because we have so many films we would like to suggest. I cut my very long initial list down to my favorite genre: horror. The is a motley list of films that doesn't include the big horror movies you might expect like our beloved Universal monsters. But I wanted to show some love to films that don’t get much attention when it comes to programming. And remember, horror films can be watched all year, not just in October.

 

Black Sunday (1960)

Be warned: Once you watch, you won’t forget the mask of Satan (the film’s original title). The image of that spiked mask being hammered into the face of a young witch (Barbara Steele) remains seared in my brain. She may have to wait two centuries for revenge, but she’ll be back (and good for her). This is Italian horror master Mario Bava’s directorial debut.

 

Ghost of Sierra de Cobre (1964)

The call is coming from inside the mausoleum! A woman terrified of being buried alive has a phone installed by her casket; a year later, her blind son receives calls from her. (Who doesn’t want to see how this plays out!) Diane Baker is fantastic as his wife who hires an architect/paranormal investigator (played by Martin Landau) to figure out what's going on. Oh look, it's creepy Dame Judith Anderson coming out from the shadows. It's a great idea told with a hip flair.

 

The Giant Claw (1957)

I can’t get enough of big-bug/creature films, even when the monster is as goofy looking as the title creature here. This oversized bird can take down planes, yet looks like it could be sold as a cuddly plush animal, too. This is one of Mara Corday’s three horror films where she plays a very smart researcher-type who helps save the world.

 

The Hands of Orlock (1924)

I knew the title, but only saw this silent film recently and am mesmerized by star Conrad Veidt’s performance. He puts his entire body – expressive face, those long hands and fingers – into his role as a pianist going mad thinking that a killer’s hands have been grafted on him after an accident. This is a horror movie, yes, but it’s full of anguish, tragedy and love wrapped around a really good mystery. Veidt is reunited with his Cabinet of Dr. Caligari director Robert Wiene.

 

The Mole People (1956)

I know, I know. It has a bad reputation and has been skewered by MST3K. But it’s a bit better than its publicity photos would lead you to believe and how can you resist a film about a lost civilization? Three scientists find one such society of albinos living in the “hollow earth.” Their pitiful slaves have become mole people due to the lack of sunlight. Don’t be surprised to be troubled by the treatment of the slaves -  this is a B-movie with a message. John Agar and Hugh Beaumont star.

 

Tarantula (1955)

One of the best classic horror films, Tarantula is special to me because it was part of my monster movie education from my dad. We watched it over and over again and never grew tired of it. Mara Corday is here again, this time helping a well-meaning scientist who wants to stop world hunger but instead creates a killer tarantula that grows to the size of a house. John Agar co-stars in Jack Arnold’s film.

 

The Undying Monster  (1942)

This film has everything I need: A family curse, an old house on a seaside cliff, a hidden room, a deadly creature and a bunch of characters who could be the next victim – or the killer. (Wait ‘till you meet spunky Helga). Gorgeous cinematography by Lucien Ballard greatly expands the film’s otherwise obvious low budget. A fun monster yarn.

 


4. What is a classic movie that you love, but most people don't know about -- and what do you love about it?

I adore The Best of Everything, a 1959 Cinemascope melodrama about three young secretaries in a New York publishing firm (Diane Baker, Hope Lange and Suzy Parker), their bitter boss (Joan Crawford) and the men in their lives (Stephen Boyd, Louis Jourdan, Robert Evans) who may not have the best of intentions. It’s a glossy, soap opera world of pretty people, youthful dreams and broken hearts - and I can’t stop watching!

 

 

5. What is something that most people don't know about you?

I was the inaugural winner of the TCM Backlot contest, “TCM in Your Hometown” in October of 2017. Entrants wrote a 1,000-word essay on why TCM should visit our hometown. My story focused on the six grand old movie houses built in the 1920s and still operating in the Buffalo area, plus some of the movies that were made here. No one was more surprised than I was that I won. TCM chose the Buffalo-made Robert Redford film “The Natural” to screen here in one of the movie palaces I wrote about. There wasn’t a seat available  when director Barry Levinson and TCM host Ben Mankiewicz introduced the film. Nearly the entire TCM staff was here for the weekend and I met TCM fans from around the country who came to the event. The city still talks about.


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We thank Toni for participating in our Q&A profile and encourage you to visit Watching Forever.

Tuesday, October 1, 2024

CMBA Profile: Silver Screen Classics and Nostalgia

 



Each month, the CMBA profiles a classic movie blog written by one of our members. This Month, we are featuring Seleus Blelis who writes at Silver Screen Classics and Nostalgia.


1. Why do you blog?


Ever since my introduction to classic cinema starting with the iconic "Frankenstein" (1931), I've wanted to share my thoughts and opinions about these brilliant glimpses into film culture - and this was in 1978, when I was five years old!  After creating various websites and Facebook groups as well as other "classic cinema" opportunities since then, blogging of course was the next obvious vehicle to spread my passion for classic film by transporting you out of the cinema and into a "different", more fun, personal and insightful way to experience these beloved pieces of film artistry.  You won't be just learning about the film, but getting a chance to live it as well by linking cinema of the past with film curiosities of the present (and even future). So "...fasten your seatbelts - it's going to be a bumpy ride"!


2. Besides classic movie blogging, what are some of your other passions?


When I'm not indulging my love for cinema at the movies or local drive-In theaters, you can find me always on the road looking for amazing adventures, museums, roadside curiosities, experiences and people.  I love collecting classic movie memorabilia, classic cinema era vintage makeup compacts, bygone classic foreign film posters, as well as movie replica props including my latest acquisition - Guy's lighter from Hitchcock's "Strangers on a Train".  You can find me doing all these things in my 1930's and 40's vintage fashions channeling my innermost Barbara Stanwyck. Also the holidays and decorating for them is something I relish so I can bring out the Cedric Gibbons styling in me. ☺️


3. If you could program a perfect day of classic movies for TCM, what would be the seven films on your schedule?


All About Eve (1950)


I mean, what can I say about this movie that hasn't already been gushed over?  From backstage to backstabbing - it's got everything! The casting is spot-on, the script is fire, and it all comes together to create movie magic. The clever banter alone is worth the price of admission. I was fortunate enough to see it in theaters, and let me tell you, watching it with a crowd adds a whole new layer of enjoyment. Finally, the standouts for me are the smart and observant George Sanders as Addison de Witt and Thelma Ritter as Birdy. 


The Best Years of Our Lives (1946)


When it comes to classic films, this one is my all time favorite. It's the epitome of classic cinema, showing the struggles of WWII soldiers returning home with a heartbreaking yet realistic touch that never fails to surprise me viewing after viewing.  The actors completely shine with their raw emotion due to the flawless directing of the Master and personal favorite director - William Wyler.  The stellar cast, especially Dana Andrews' outstanding performance, always manages to tug at my heartstrings, and let's not forget real-life vet Harold Russell, whose portrayal remains as timeless and fresh as ever. The  film is a masterpiece that feels fresh and relevant today. 


Swingtime (1936)


Oh, Fred Astaire & Ginger Rogers! Their movies truly ignited my passion for classic films. The romance and happiness they exude are unmatched, with "SwingTime" standing out as a timeless classic. The way they effortlessly weave music into the plot is pure magic, always leaving me in a great mood. And let's not forget their phenomenal dance routine in "Pick Yourself Up" - it's my all time favorite dance on film. Sigh... if I could just crawl into a film...


Mildred Pierce (1946)


I absolutely adore Joan Crawford and this film is definitely one of her finest works, exhibiting one of my favorite performances from her, It's the perfect blend of film-noir and melodrama that hooks you in from the start. The script is incredibly well-crafted and the cast is impeccable. I especially enjoy Jack Carson and Eve Arden, who add levity to the story with their strong performances and witty lines.


Footlight Parade (1933) 


Before watching Yankee Doodle Dandy, I only knew James Cagney from gangster movies, so I had no idea he could sing and dance so well. He's fantastic in this movie, and does both with flair and charisma! It's such a fun and sassy film, with the amazing kaleidoscope of Busby Berkeley musical numbers that are just mind-blowing. And let's not forget the delightful fire of Joan Blondell. An all around visual delight for sure - I absolutely love this pre-code musical comedy! 


It’s a Wonderful Life (1946) 


I first watched this classic during a PBS tribute to Frank Capra in 1991, on a sweltering hot summer day with no AC in a tiny NYC apartment, where I was so completely captivated by it, that I didn't even notice the high temperature. It wasn't until later that I realized it was that Christmas movie. The story always fills my heart and soul, and I find myself in tears every time I see James Stewart's powerful performance.  Much like the rest of the world, it's become a holiday tradition for me and my family to watch year after year..


The Tingler (1959)


William Castle’s The Tingler!! It's a fun and gimmicky film, and anyone who knows me, knows I have a soft spot for 1950s B-Movies - especially this one!  To give you an idea of how much I consider this my absolute favorite B-Movie - I even have a replica prop of the TINGLER that lives on your spine sitting proudly on my shelf!  How can you not love the cheesy special effects, crazy plots, and exaggerated acting?!  Speaking of acting - I love when actors keep a straight face while delivering a serious performance in the face of all the craziness of bad B-Movies, just like Vincent Price does masterfully here. 


4. What is a classic movie that you love, but most people don't know about -- and what do you love about it?


Sudden Fear  (1952)


I was totally caught off guard by this hidden gem.  Joan Crawford delivers yet another Oscar-nominated performance in my second favorite role of hers.  The film kept me on the edge of my seat the whole time, with its brilliant showcase of on-screen emotion, which she really pulls together, as well as showcasing all the skills she picked up during her silent film days to create a beautifully tormented woman.  Watch when her character plays a recording and hears her fiancé’s plan to kill her.  You can see every bit of fear and horror in her expressive eyes!  Perfection!  Then there's a moment with our heroine hiding in a closet that's just as amazing, and she doesn’t have any dialogue in either scene!  She simply listens and reacts, showing us why she's a classic cinema favorite!  The lighting combined with her incredibly expressive eyes is something else to see.  I also appreciated the careful planning she does to thwart the plot, with close-ups of her hands organizing everything and her imagining how it will all unfold.  I absolutely love this film and I make sure to wear my Sudden Fear t-shirt (featured on my Blogger profile) with every viewing.



5. What is something that most people don't know about you?


I’m also artist and sell my graphite caricatures of classic film actresses. Currently, I'm trying my hand at "sky" photography - it's a new palette every second, and in true Cineaste fashion, I'm always inspecting the heavens with a cinematographer's eye like my favorite Master Gregg Toland. 


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We thank Seleus for participating in our Q&A profile and encourage you to visit Silver Screen Classics and Nostalgia

Sunday, September 29, 2024

CMBA presents: A Haunting Blogathon: In the Afterlife

CMBA presents: A Haunting Blogathon: In the Afterlife

The blogathon will run from November 11-15, 2024.


This event, for CMBA members only, allows you to explore the captivating theme of the afterlife in film. A realm where past and present are woven together and the echoes of lost souls connect us. But this exploration can also extend well beyond the supernatural. It invites us to reflect on the haunting nature of being tormented by the memories of trauma, abandonment, or unattainable love, the relentless pursuit of a dream just out of reach, or the depths of obsessions that linger like a shadow. Films dealing with the afterlife and hauntings are not all gloom and darkness. Some are quite funny and charming or have a unique beauty or performances that are haunting in themselves. These interwoven tropes reveal how we’re often haunted by people and events that shape our lives. In this coming season, which pays tribute to these inextricable experiences, let us celebrate! From phantoms to preoccupations… from the ethereal to the deeply personal.



Because there is such a variety of topics to choose from, we won't be accepting duplicates. Topic selections will be accepted in order of receipt.

To promote the blogathon on your blog, take your pick from any of the banners at the bottom of this post. 

We’re really looking forward to another great blogathon! 

November 11 Monday 
  • Cinematic Scribblings: Cría cuervos...
  • Realweegiemidget Reviews Films, TV, Books and more: Fantasma d'amore (Ghost of Love) (1981)
  • A Person in the Dark: The Time of Their Lives (1946)
  • Shadows and SatinL Death Takes a Holiday (1934)
  • The Classic Movie Muse: Rebecca 1940
November 12 Tuesday
  • Whimsically Classic: Random Harvest (1942)
  • Speakeasy: A Place of One's Own (1945)
  • Outspoken & Freckled: Carnival of Souls (1962)
  • Cary Grant Won't Eat You: Laura 1944
  • Forever Watching: Somewhere in Time 1980
November 13 Wednesday 
  • Poppity Talks Classic Film: Fantasy in the Highlands: Brigadoon (1954)
  • Once upon a screen...: Topper (1937) 
  • The Last Drive In: The Uninvited (1944)
November 14 Thursday
  • Crítica Retrô: Blithe Spirit (1945)
  • Taking Up Room: Heaven Can Wait (1943)
  • Another Old Movie Blog: Possessed (1947)
  • Silver Screenings: The Canterville Ghost (1944)
  • Classic Film Observations & Obsessions: Two cinematic tellings of the Orpheus myth from Jean Cocteau
November 15 Friday
  • In The Good Old Days Of Classic Hollywood: The Ghost and Mrs. Muir (1947)
  • Nitrate Glow: Kuroneko (1968)
  • Hamlette's Soliloquy: Blackbeard's Ghost (1968)
  • Box Office Poisons: All That Jazz 1979
  • Hometowns to Hollywood: The Cat and the Canary (1939)
  • A Vintage Nerd: Classic Cinema Spotlight: Between Two Worlds (1944)
  • Silver Screen Classics: Here Comes Mr. Jordan1941





















Sunday, September 1, 2024

CMBA Profile: Those obscure objects of desire


Each month, the CMBA profiles a classic movie blog written by one of our members. This Month, we are featuring Stela Zoric, who writes at Those obscure objects of desire. 

1. Why do you blog? 
We live in a world of abundant data, data that has never been easier to access. But real information? Something worthwhile? That has always been, and will always be, more difficult to obtain. Since I started exploring the vast spaces of the internet (it was in 2000 and I was in elementary school), I have developed a deep appreciation for all bloggers who put their time, effort, and energy into creating concrete, wonderful observations from a mass of data.

I read a lot of everything back then but got hooked on Old Hollywood. It was a logical turn of events that I would veer more and more in that direction. And, after years of consuming so much content, I decided to create a blog. Thus, my blog is a combination of Hollywood (my interest) and a form of creativity. An inner creativity, deeply embedded in all of us. If I can help someone even a little bit, it’s enough for me. Not to mention that satisfying one's creative urges is a delight all in itself. Thus, I blog to provide people with creative, and hopefully quality, content, the same I receive from their valiant efforts. It's always a game of give and take, and we should rejoice in both swings of the pendulum—savor what others have written, and write for others yourself.

2. Besides classic movie blogging, what are some of your other passions? 

Lots and lots! Always learning! I am a huge lover of all arts, but literature and paintings are my favorites! I am a voracious reader and very much enjoy Victorian literature and early 20th-century literature. I am also a big fan of 90s games, am learning Chinese, take courses at a school of philosophy, and practice pole dance. There is so much more, but I prefer not to overwhelm you too intensely...

3. If you could program a perfect day of classic movies for TCM, what would be the seven films on your schedule?

1. Deception - Just for Claude Rains. I love him to bits in this otherwise lukewarm movie. The restaurant scene is a masterclass in acting! And the gorgeous music.
  1. Gone to Earth - I mostly like Jennifer Jones and find her filmography intriguing. This movie is a special favorite of mine—it's simply pure magic! And I mean it both as something remarkable and occult.

  2. Deep Red - I am a HUGE giallo fan, so let's select one of the best giallos ever made. Argento at his absolute peak. A must-watch. Perhaps the movie with the most incredible atmosphere I have ever watched. And the locations are stunning. The twist at the end left my jaw on the floor. Pure genius!

  3. Merry Christmas, Mr. Lawrence - David Bowie perfection! And Ryuichi Sakamoto was an absolute revelation! The music, the story, the mise-en-scène, the subtext—it’s all wrapped up and tied to perfection by a master director (Nagisa Oshima). And the music! So phenomenal!

  4. The Big Combo - Jean Wallace plus Richard Conte make this movie for me. Jean's scenes, especially the one with the famous innuendo (won't write it outright, take a peek yourselves), delighted me so much! And Conte's brand of menace is other-worldly and so excessively masculine I was almost hypnotized. While it's too low-budget to be a must-watch classic, and Cornel Wilde is a wood-adjacent actor, these two make it an enduring minor classic.

  5. The Thomas Crown Affair - This is pure, top-class elegance made with a sleek hand into a deceptively simple movie. Or is it? I find this one of the best psychological movies of the 60s, and every serious student of Jung should watch it.

  6. Dragonwyck - Gene Tierney! Love love love! I adore her in this movie. And Vincent Price kills it from scene one to the last scene. The gothic sensibility doesn't distract from the dark, smoky quality this movie nails down so perfectly. I am generally unhappy with how few quality gothic horrors were made in this period, but gems like this one keep me afloat.

4. What is a classic movie that you love, but most people don't know about—and what do you love about it? 

Definitely the not-so-elegantly named The Journey, from 1959. I have never met anyone who watched or even heard of this movie, despite its stellar cast (Deborah Kerr, Yul Brynner, Jason Robards, Robert Morley). And this makes me a bit melancholic! It's such a fine movie, with many layers, and it contains wildly opposing sensibilities—one dainty, delicate, not unlike the brush of butterfly wings, the other blunt, savage ruthlessness—so well drawn out in its two clashing main characters. While the movie's most prominent layer, that of political critique, may be strong, well-written, and very much relevant even today, it's the dark side of the mirror that has caught my fancy. Yes, I mean the forbidden fruit/love! Deborah Kerr is my favorite actress, and this is my personal favorite out of her whole filmography. In terms of Deborah "power," what a movie! Deborah and Yul are aflame and radiate such passion I can't help but watch them again and again! Just for the two of them, this is more than worth the effort.

5. What is something that most people don't know about you? 

Since Spain just won the Euro Cup, I remembered this funny story—in 2010, I was in Madrid when Spain was playing in the FIFA World Cup finals. There was pandemonium in the streets, and everybody was talking about football incessantly, and seemingly everyone was going to watch the game somewhere. As I am completely blasé about football, I just chucked it aside and went to the Prado Museum. I was there when they won and the streets literally erupted. I, deep inside the museum, watching Baroque art, was completely oblivious and living in my own art-history wonderland. I only found out hours later when I exited the museum and saw the overcrowded streets. When I told this story to my friend, she told me not to tell anyone, since it's semi-shameful to have been in Madrid at that time and completely ignoring the happenings. So almost nobody knows this!
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We thank Stela for participating in our Q&A profile and encourage you to visit Those obscure objects of desire