Thursday, January 2, 2020

CMBA Profile: Silver Screen Classics




Blog post with titles like Food Means Murder: Symbolism of Food in ‘The Godfather,’ Hollywood and It’s Long History of Sexual Abuse, To Remake or Not to Remake? The Question on Rebooting Classic Film, and Death as Redemption in Film Noir, Paul Batters Silver Screen Classics does not just review films or gush over them, he dives in the meaning, the art, and more. His essays are thought-provoking, but I’ll let Paul speak for himself. 


What sparked your interest in classic film?

Classic film has always been in my life as far back as I can remember. I was always fascinated by the silvers and grey tones of classic film and it always looked like an art form to me. Perhaps the fact that until 1975, we didn’t have colour TV in Australia helped! In fact, the first colour TV we had at home was in 1976 and I can still remember watching The Wizard Of Oz for the first time and that magical transformation – I still tear up when it happens now as I remember seeing colour TV for the first time!

My grandmother certainly helped as she was a huge classic film fan and whenever I stayed there at her house (which was often), I was allowed to stay up late with her and enjoy so many films.  As a kid in the 70s and into the 80s, television was awash with classic films and so there was the opportunity to watch, learn and enjoy them, as well as become exposed to classic film. Today that is being lost.

My aunt had some fantastic books on classic film – some photography books but also a who’s who of Hollywood and one of my favourites Dennis Gifford’s A Pictorial History Of Horror Movies. I would pour over these books and the incredible images. The search for many films began in these books.

What film seduced you into the world of film noir?

I’m sure I had watched film noir for years but never had the sensitivity or understanding to fully appreciate what I was watching. However, there are two which stand out for me.

Sorry Wrong Number (1948) really showed me that something has been going on that I needed to get into. The shift in time frames to create back-story within a linear narrative was fascinating and drew me deep into the story. Barbara Stanwyck was outstanding (as always)! The psychological slant taken may look like poor pop-psychology today but it’s also a fascinating insight into how cinema in the 1940s looked at newly found and discussed issues.

Kiss Of Death (1947) was the other and far more violent but I was also taken by the thematic concerns of the film, particularly a man trying to find redemption and escape his previous life.

Who is the screen’s deadliest femme fatale?

Phyllis Dietrichson from Double Indemnity. She’s ‘rotten to the core’ as she acknowledges herself and her manipulation and subterfuge constantly surprises till the very end. Her eyes shine with danger and she’s an expert at surviving.

To someone not familiar with noir, what films would you recommend, and would you tell us some of your favourites?

For me, film noir is a style and mood rather than a genre, so I would encourage a range of films to highlight that point -including The Maltese Falcon, Double Indemnity, The Big Combo, Detour, Out Of The Past, The Asphalt Jungle, Crime Wave and Raw Deal. All present different narrative approaches and characterizations – the private detective, the femme fatale, the ex-con trying to make good, the dame sticking by her man, the average guy getting caught in the web of deceit, crime and murder – and of course the thematic concerns which drew me into noir in the first place. All the films mentioned are not only masterpieces of film noir but certainly my favourites as well.

What directors do you admire?

Always been a massive fan of Billy Wilder, John Huston, Frank Capra, Fritz Lang, King Vidor and Alfred Hitchcock and also love the work of F.W Murnau, Frank Borzage and Erich Von Stroheim. European directors such as Ingmar Bergman and Francois Truffaut are stand-outs for me. A huge fan of Martin Scorsese as well!

There are so many other less famous directors such as Andre de Toth and Anthony Mann that I greatly admire.

What other genres do you favor?

Love the classic horror particularly the Universal horror cycle of the early to mid-30s. The gangster film, best exemplified for me by the classic gangster films of the 1930s, is also a favourite genre. 

Name three films that most classic film fans love but you hate, and if you can tell us why.

Breakfast At Tiffany’s – Not a fan of Audrey Hepburn and it’s a film I’ve never warmed to and never will.

Seven Brides For Seven Brothers – Not a huge fan of musicals (though I do love Singin’ In The Rain) and this is one where the whole premise for story and musical numbers are ridiculous. Too saccharine for my tastes!

West Side Story – Again; a musical and again a ridiculous premise for the narrative and one which is, at best, a footnote in any study of the Bard.  I can’t believe it won so many Academy Awards but then so did Titanic.

What are your thoughts on today’s Hollywood films?

I understand and echo the recent concerns of directors such as Martin Scorsese. These concerns have existed for some time – and I think there is a sad lack of originality, creativity and imagination in the film industry. But there is hope with the standard of some films out there such as The Irishman, Knives Out and Parasite.

The truth is that cinema has always faced challenges, whether it was the arrival of sound, the Code, colour, any of the ‘screen stretchers’ (Panavision, Cinemascope, Cinerama), new technologies, TV, videos, etc. Despite times where the outlook for the future of film has looked bleak, there are always new approaches and exciting new auteurs that revolutionize the industry. They’re out there at the moment!

Do you have an interest in other arts that you can share?

Writing is an art and I have worked on spec screenplays (obviously unsuccessful!), as well as short stories and creative writing.

Monday, December 2, 2019

CMBA Profile: Down These Mean Streets



If you love film noir as many of us do, Down These Mean Streets, is required reading. The Big Combo, Gun CrazyPark Row, Rear Window and Pickup on South Street are just a few of the films reviewed. Anke Lindner is a self-proclaimed film noir lover and it shows.

  1. What sparked your interest in classic film?

It’s hard to say exactly when, how and why I became a classic film fan. Neither my parents nor my grandparents were interested so I discovered them myself. I was probably around five and I assume some classic film came on TV and I was hooked. I loved history (still do) and somehow old movies were like a history lesson, a window into another world.
Growing up in Europe, I didn’t even have something like TCM, a channel dedicated to classics. Being a movie fan back then took real dedication because sometimes you had to stay up very late to catch these movies. I used to watch old movies on an old crappy television, before digital restoration, edited for TV, mutilated by commercials and bad dubbing…and still fell in love with them. Something just clicked with me, much more than it did with contemporary movies. 
Then I discovered that people actually wrote books about old films. Many film titles and stars I only knew by name from books but I promised myself that one day I would watch all these movies I had only seen photos of.

  1. What attracted you to the world of film noir?
First, I started to love old movies (not just Noir) because films have never looked as good again as they did in the 40s. The films were the pinnacle of American style with beautiful clothes, cars, hairstyles, architecture, interior design etc. The digital revolution in videography seems to have all but abandoned the art and power of cinematic lighting that illuminated the Golden Age of motion pictures. Back then every photo mattered.

Second, before I became drawn to the dark themes of Noir, as a child the first thing I noticed was that there were men in sharp-looking suits and dames in fabulous outfits. So different from the awful clothes people around me were wearing. They all dwelled pretty near the gutter, but that didn’t mean they couldn’t look glamorous while doing so. Eddie Muller called it "slumming with style”. 

Third, deadly dames, dingy dives, drunken barflies, dangerous hoods, crooked cops, flawed heroes, high heels on wet pavement,  neon light through Venetian blinds, the evil that men do. Noir is the "B" side of a 45 record, the depiction of life beyond the light. What’s not to love?

Dialogue. Did I mention dialogue? If more people talked as if they were in a Noir, life would be a lot more fun.

  1. What makes a film “noirish?”
Eddie Muller phrased it like this: “there is something darker than night in these films". The depths of fear, loneliness, anxiety, alienation and futility of hope are existential. They seem to express the very core of human pain and suffering.

Also, Noir cannot do without moral ambiguity, it needs shades of gray. It can’t have a protagonist who’s without blemish or fail. Ambiguity creates tension and that tension comes from the moral struggle of the protagonist(s).

Noir doesn’t need a femme fatale, but it does need a dame.

  1. Would you tell us your five top noir films and directors?
I don’t do lists so these are in no particular order, but one of my favorite directors (not just for Noir) is Sam Fuller. Pickup on South Street ranks very high in my opinion.
Clearly, Robert Siodmak has to be on the list. The man just defines Noir and his output in it is unparalleled. Also Fritz Lang for the bleakest of them all, Scarlet Street, and many more.
Phil Karlson deserves mention for 99 River Street, Kansas City Confidential and Scandal Sheet, and so does Richard Fleischer for The Narrow Margin and the underrated Follow Me Quietly


  1. To someone not familiar with Film Noir what films would you recommend?
I think you can’t go wrong with any Bogart/Bacall movie. They’re just iconic, and even people who don’t know any classic films do know who Bogart is.
I’d also say Double Indemnity, The Third Man and This Gun For Hire.


  1. What other film genre(s) do you favor?
Westerns are my second favorite genre. I also love gangster movies, pre-codes and have lately developed a real love for melodrama. Especially with Davis, Crawford, and Stanwyck.


  1. Name three films that most classic film fans love, but you hate, and if you can tell us why?
The Sound of Music, it. drives. me. nuts. To say I hate this movie would be an understatement. I despise it. Cliche piled on cliche, the unbearably annoying, I mean cute children, an unattractive nun with the ugliest hairstyle ever (some guy ditches his girlfriend for her?) and those songs which warrant their own entry in the Geneva Convention.
There is a scene in Wilder’s One Two Three (a movie I love) where Otto Piffl is “tortured” by having to listen to Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini. They would just have to change the soundtrack to The Sound of Music for me.

Doctor Zhivago. The schmaltzy Lara’s theme is nauseating. And Omar Sharif reminds me of a depressed basset hound.

James Dean in East of Eden and Rebel Without a Cause. Dean was the original whiny snowflake and crybaby.

There’s a reason I don’t review films I don’t like. It’s too easy to go on a rant. I like to be snarky, but not really mean. Taking apart movies I really hate seems counter-productive to me.


  1. Do you have interests in any other arts that you can share?
I’m interested in (interior) design and architecture, especially Midcentury Modern. It was such a great era for design. I don’t know if that counts as art, but I’m a really good cook. 

Sunday, November 3, 2019

Remembering Gary Loggins of Cracked Rear Viewer


CMBA remembers and honors member Gary Loggins whose blog was Cracked Rear Viewer. Gary, who passed away unexpectedly early in October, was passionate about horror, B-movies and pre-code films and blogged about his movie love with enthusiasm. He also enjoyed classic rock music, concerts and New England sports teams and his career involved working with and helping the homeless. Gary's CMBA blogger profile was published last January, click here to learn more about him and his very special blog. For those who would like to pay further tribute to Gary, memorial donations should be made to www.steppingstoneinc.org/donate.

Rest in peace, Gary. 

Saturday, October 19, 2019

CMBA Profile: Musings of a Classic Film Addict





CMBA profiles one member every month. This month's interview is with Samantha Ellis who blogs at Musings of a Classic Film Addict. Sammatha attends as many film classes as he can and hopes ond day have a degree. 

What sparked your interest in classic film and was there anyone film that you remember being the one to change it all?

I guess you could say that my interest really started in the third grade. My music teacher showed us the “Make ‘Em Laugh” scene from Singin’ in the Rain and I had that “Aha!” moment like, “Wait, these movies were actually good?” I also watched Brigadoon and West Side Story in that class, both of which are still near and dear to my heart, but I ultimately shelved that interest until my middle and high school years, which were spent growing up in Palm Springs, CA with my grandmother. She was never particularly a classic movie fan, but she loves teaching the history of the town. It was where nearly all of the classic movie stars lived and mingled, so it was hard for her not to capture my interest when we would pass by a hotel and she’d say, “Oh, Ginger Rogers got married there”, when we’d drive down streets named after stars, or when we’d pass by Bob Hope’s gorgeous home, situated high on the top of a mountain. It was like a castle, and all the stars she would tell me about were kings and queens. Around that same time, I had a lot of health issues as well, which led to me staying home from school often. She didn’t allow me to use the internet on these days, but she would let me watch movies, so I started going through her classic movie VHS tapes and consuming the films of all the stars that she had told me about. The rest is history, and she still thinks I’m weird for enjoying movies that are older than she is, even though she’s largely responsible for it!

Tuesday, October 15, 2019

CMBA 10th Anniversary/Fall Blogathon


Welcome the CMBA's 10th Anniversary Blogathon! This blogathon is special! Ten years of the CMBA bringing classic film bloggers together to share and learn. Before we move on to this year's event, it seems fitting to provide a short history of the CMBA.

Rick Armstrong of the Classic Film and TV Café founded the Classic Movie Blog Association (CMBA) on October 31, 2009. Rick's goal was to form a nonprofit organization of classic movie bloggers to promote classic movies, support its bloggers, establish quality standards, and recognize classic movie blogging excellence. Rick set up a website and designed the CMBA logo the same day. On November 1st, he invited Rupert Alistair of Classic Movies Digest to become the CMBA's second member. 

Rupert was intrigued, but also had questions. In his first e-mails, he asked:  "How did this entity come about? What is the criteria for involvement? Regular posts to the site? How are votes for new members gathered?" Rupert's questions led Rick to write the CMBA Charter, which contained the provision that, unlike most blogging associations, the CMBA's current members would vote on accepting new members and elect a Board of Governors to manage the organization. The CMBA's first members approved the CMBA Charter on November 22, 2009.

  • In February 2010, the CMBA hosted its first blogathon, a celebration of Black History Month. Official CMBA blogathons continue to be hosted twice a year.
  • By June 2010, the group consisted of 21 members, enough to elect a Board of Governors.
  • In September 2010, the CMBA ended its first year by inaugurating the CiMBA Awards to recognize its members' best blog posts of the year. These awards of excellence continue to be given annually, though they are now simply known as the CMBA Awards.

Over the past 10 years, members have come and gone (life does sometimes get in the way of blogging), but the CMBA has endured and matured into a thriving organization with a social media presence and the respect of the world of classic film and its fans. Today, as the CMBA celebrates its 10th anniversary year with close to 90 members and counting, the future continues to be both promising and exciting for this group of impassioned classic movie bloggers.

Appropriately, this year's Fall Blogathon theme is Anniversaries. We have a great group of contributors joining in to celebrate. Links are posted below to all participating blogs.

The Contributors 

October 15th (Tuesday)
Caftan Woman: Stray Dog 70th Anniversary 
A Person in the Dark: "The Stars"  57 Years of Fascination
Critica Retro: The Spanish  Flu Pandemic and  how it affected the Film Industry - 100 Years
Make Mine Film Noir: Double Indemnity: Film Noir After Seventy-Five Years
Silver Screen Modes: 95th Anniversary of MGM
Stars and Letters: Dark Victory (80th Anniversary

October 16th (Wednesday)
The Movie Night Group: The Canterville Ghost (75 Yrs)
Screen Dreams: 100th Anniversary of United Artists
Classic Film and TV Cafe: The Wild Bunch  (50th Anniversary)
Silver Screenings: All The King's Men (70th Anniversary)
4 Star Films: The Third Man (1949) 

October 17th (Thursday)
Old Hollywood Films: Ben-Hur (1959) 
Shadows and Satin: Top Five Film Noirs of 70 Years Ago
Once Upon A Screen:  85 Years of Fred Astaire and Ginger Rogers 
Twenty Four Frames:  Easy Rider and The New Hollywood (1969)

October 18th (Friday)
Maddy Loves Her Classic Films:  1939 Turns Eighty
Lady Eve's Reel Life:  Bridging Old Hollywood and New: Butch Cassidy and the Sundance Kid (1969)

Sunday, October 13, 2019

Congratulations to the 2019 CMBA Award Winners!


The ballot has closed, the votes have been counted and the results of the 2019 CMBA Awards confirmed. And  the winners of this year's awards for excellence in blogging are:

Best Classic Film Review/Drama: Thoughts on the Son of the Sheik (1926) by Silent-ology
Best Classic Film Review/Comedy or Musical: His Girl Friday (1940) by Cinema Essentials
Best Profile: The Activism of Myrna Loy by Backlots
Best Classic Film Article: Irving Berlin at the Oscars by Caftan Woman
Best Classic Film series: Sheik Month by Silent-ology
Best Classic Film Event: The Vive la France! Blogathon hosted by Lady Eve's Reel Life and Silver Screen Modes

In addition, this year the CMBA Board of Governors has chosen to present a special award to the group's founding member and first Board Chair, Rick Armstrong of The Classic Film & TV Cafe. Rick founded the CMBA 10 years ago this month, on October 31, 2009. He developed the group's organizational structure as well as its charter and was instrumental in launching CMBA activities that continue today, including our annual blogathons and the CMBA Awards. To this day Rick continues to support and advise the Board whenever asked. And so, on this our 10th anniversary year, the Board is honoring Rick Armstrong with a special 2019 Board of Governors Award in recognition and appreciation of his efforts on behalf of the Classic Movie Blog Association and classic film blogging.

Congratulations, 2019 award winners and many thanks to all members who participated in the CMBA Awards this year. Well done!





Wednesday, October 2, 2019

CMBA Profile:: Cinematic Scribblings





CMBA profiles one member every month. This month's interview is with Erin Graybill who blogs at Cinematic Scribblings. Erin's blog focuses on European and Japanese cinema.



What sparked your interest in classic film?

When I was about eight, I was obsessed with Shirley Temple; I can't recall how that actually started, but AMC used to air one of her movies every Sunday around 11 AM, and I would always watch them. Around that time, I was also really into Martin and Lewis movies, and I remember watching a lot of Laurel and Hardy on AMC as well. After that, I was less into classic films for a while, but at some point in my teens my family came across Bringing Up Baby on TV -- I'm sure it was TCM -- and I loved it. From there, and especially in college, where I had easy access to the library's collection, I really delved into classic films.

I noticed you have written much about Francois Truffaut. What is it about his films that attract you?

Writing about Stolen Kisses (1968), he said, "When I started making movies I had the idea that there were things that were funny and others that were sad, so I would put funny things and sad things in my films. Then I tried to switch abruptly from something sad to something comical. In the course of making Stolen Kisses I came to feel that the best of all were the kind of situations that were funny and sad at once." That appeals to me, and so does his observation that "with me, one film out of two is romantic -- the other one tries to destroy this romanticism," although I think it's more complicated than that; the romanticism and anti-romanticism often seem to coexist in his films. Also, his love of cinema is infectious.

What other directors do you admire?

Yasujirô Ozu is probably my favorite director. I also love Federico Fellini, Michael Powell (particularly his work with Emeric Pressburger), Satyajit Ray... I could go on and on, but those are the directors at the top of my list, along with Truffaut.

What film genre(s) do you favor?

I don't know that I have a particular favorite genre, to be honest. I feel like I watch dramas and comedies in equal measure, and I don't really seek out or focus on more specific genres like westerns or sci-fi or musicals, although I hope I'm open to them.

Name three films that most classic film fans love, but you hate, and if you can tell us why?

"Hate" is a very strong word, but there have certainly been times when I've been disappointed or just failed to see what the big deal was about one film or another. I remember being let down -- not as amused as I hoped to be, I guess -- by Sullivan's Travels, for which I had very high expectations; that's one I should revisit and reevaluate. Sansho the Bailiff is another example (not that I was looking to be amused there). I'm never as blown away by Mizoguchi as other people seem to be, especially by his period pieces, which seem to get most of the attention and praise. (I do like his more contemporary films, Street of Shame above all, but also Osaka Elegy and Sisters of the Gion.) Blowup comes to mind as well. It was my first Antonioni and it left me a bit cold, but several years later, once I saw more of his movies -- many of which I like a lot -- I thought that I would be able to appreciate it more, being better attuned to his style and themes and so on and not expecting a typical "Swinging London" movie (whatever that would be). It didn't work -- same reaction the second time around.

What do you find is the most rewarding thing about blogging?

I really enjoy working out my thoughts on a given film and then hearing what other people think about it, and I appreciate the sense of community among classic film bloggers.

What movies would you recommend to someone who “hates” classic films?

That probably depends on the individual person and the sorts of modern films that they enjoy. I don't know that there's a one-size-fits-all answer.

Do you have interests in any other arts that you can share?

Literature -- I love to read, and my dream is to write novels. I also enjoy going to art museums and listening to music.



Friday, August 30, 2019

New CMBA EBook: Femme/Homme Fatales of Film Noir

The latest CMBA eBook, Femme/Homme Fatales of Film Noir, compiled by Annette Bochenek, is now available at Smashwords for free! It is also available at Amazon for .99 cents with proceeds going to Film Preservation.


Wednesday, August 14, 2019

CMBA 2019 FALL BLOGATHON





Hello Everyone,

It's still summer, but the fall season is coming soon and with it comes the CMBA Fall Blogathon. This year is special as we celebrate the organization’s 10th anniversary! The CMBA is the brainchild of founding father Rick Armstrong (thank you, Rick!). In celebration, our subject this time around is anniversaries. Anniversaries of all kinds: Wedding, job, film directors, film anniversaries, for example, the twenty-fifth anniversary of Pulp Fiction (in five-year increments only 15, 20, 25, 30, etc.). Another example would be the anniversary of acting teams: Gable and Lombard, Laurel and Hardy, etc. (any anniversary year is acceptable). Be creative. If you’re not sure, ask!

Just a few rules. Only one film, acting team, director, etc. If a film is taken or an acting team you will be notified to make another selection.  

Join us for The Anniversary Blogathon. The dates are Oct. 15th through Oct 18th

Provide me with your selection and the date that you would like. Date selected may be subject to change if we need to balance out the activity.



The Contributors So Far...


October 15th (Tuesday)
Caftan Woman: Stray Dog 70th Anniversary 
A Person in the Dark: "The Stars"  57 Years of Fascination
Critica Retro: The Spanish  Flu Pandemic and  how it affected the Film Industry - 100 Years
Make Mine Film Noir: Double Indemnity: Film Noir After Seventy-Five Years
Silver Screen Modes: 95th Anniversary of MGM
Stars and Letters: Dark Victory (80th Anniversary)

October 16th (Wednesday)
The Movie Night Group: The Canterville Ghost (75 Yrs)  
Twenty Four Frames:  Easy Rider and The New Hollywood (1969)
Screen Dreams: 100th Anniversary of United Artists
Classic Film and TV Cafe: The Wild Bunch  (50th Anniversay)
Silver Screenings: All THe King's Men (70th Anniversary)
4 Star Films: The Third Man (1949)


October 17th (Thursday)
Old Hollywood Films: Ben-Hur (1959) 
Shadows and Satin: Top Five Film Noirs of 70 Years Ago
Once Upon A Screen: The Gay Divorcee 85th Anniversary 
Backlots: Anniversary of Rita Hayworth's Birth 
Cinematic Scribblings: Little Women (1994) 25th Anniversary


October 18th (Friday)
In The Good Old Days of  Classic Hollywood:  140 Years of Ethel Barrymore: An Enduring Legacy
Maddy Loves Her Classic Films:  4 Films Celebrating 40 Years
Strictly Vintage Hollywood: The Eyes of Youth (1919) 100th Anniversary
Hometowns to Hollywood: Glorifying the American Girl (1929)









Friday, August 2, 2019

CMBA Profile: Anybody Got A Match?






CMBA profiles one member every month. This month's interview is with Alex WIndley whose home base is the Anybody Got a Match? blog. Alex covers a wide variety of genres but admittedly favors musicals and... well I let the lady speak for herself.



What sparked your interest in classic film?

Well, in high school, my English professor offered a Film Appreciation class where she showed us all the classic films. From Casablanca, to Singin In the Rain, I slowly developed an interest for the golden age of Hollywood.

What film genre(s) do you favor?

Oof. That’s a tough one, personally, I absolutely adore musicals and the occasional film noir when I’m feeling angsty!

I very much like your categories, particularly Musings and My Obsession With. They both look like a combination of your love of film, history and personal musings. How did you come up with this concept?

Musings was an idea I had when I wanted to write about Paul Newman’s character in Cool Hand Luke but didn’t necessarily want to review the movie. It’s great to share your classic movie thoughts that you have lingering in your heart. My Obsession is exactly what the title says, I’ll thank Audrey Hepburn for that one! Ha-ha.

What is you “go to” film when you need something to lift up your spirits?

Seven Brides for Seven Brothers hands down. It was the first classic movie I bought on DVD and I just adore it whenever it comes on TCM.

Name three films that most classic film fans love, but you hate, and if you can tell us why?

Hmm, ok let’s see. Well, to be fair, I really don’t like Breakfast at Tiffany’s. Due to the strict code film makers had to abide by, a lot of the original content from the book didn’t make it into the movie. I also feel the same way about Rebel Without a Cause and James Dean for that matter.

What makes a film "classic" in your opinion? Do you have a favorite period?

It must have been made before 1965, after 1965 I don’t really consider it to be a part of the Golden Age. As for my favorite period I really enjoy the late 40s early 50s when it comes to film. It’s a very interesting era in terms of film!

Many “classic” film lovers do not like modern day movies. What are your thoughts and where do you stand?

I think it’s hit or miss really. I enjoy documentaries a ton, and there’s a lot of modern films that I would consider my favorites. I think you must compartmentalize ‘modern films’ and ‘classic films.’ I separate them, so it doesn’t cross over too much.

Do you have interest in any other arts that you can share?

Yes! I do love watching soccer and photography. I’m also an avid foodie, although I’m lactose intolerant ha-ha.