Wednesday, May 18, 2022

It's time for the CMBA Spring Blogathon, Fun in the Sun!



The Classic Movie Blog Association requests your presence at our spring soirée also known as the spring blogathon. Now through May 20th, join us for Fun in the Sun! Our bloggers celebrate and explore the films, stars, locations, and more of their favorite summerly and beachy flicks. Peruse our schedule below and do drop by their blogs to read and comment!


Tuesday, May 17th

Bachelor Flat (1961) | Outspoken & Freckled

By the Sad Sea Waves (1917) | Silent-ology 

The Woman on the Beach (1947) | Cary Grant Won't Eat You

Gidget Goes Hawaiian (1961) | Once Upon a Screen 


Wednesday, May 18th

To Catch a Thief (1955) | Lady Eve's REEL LIFE

Sandra Dee | Whimsically Classic

Gigi: A Weekend in Trouville | A Person in the Dark

Mack Sennett's Bathing Beauties | Silent Cinema School 

Paris When It Sizzles (1964) | Classic Film & TV Cafe

Search for Beauty (1934) | Crítica Retrô

Esther Williams | Hometowns to Hollywood


Thursday, May 19th

Drive a Crooked Road (1954) | Make Mine Film Noir

Clambake (1967) and Don't Make Waves (1967) | 4 Star Films

Flying Down to Rio (1933) | Filmland Follies

Why I Want To Go On A Cruise But Only If It's The Cruise From Romance On The High Seas | Box Office Poisons


Friday, May 20th

Somewhere in Time (1980) Silver Screen Modes

Picnic (1955) | The Classic Movie Muse

Young at Heart (1954) | Another Old Movie Blog

The Very Thought of You (1944) | Backstory Classic

The Long, Long Trailer (1953) | In The Good Old Days Of Classic Hollywood.

Sunday, May 1, 2022

CMBA Profile: Vienna’s Classic Hollywood


Each month, the CMBA profiles a member and their classic movie blog. This month, we’re featuring Vienna, who writes at Vienna’s ClassicHollywood.

CMBA: What makes a film a “classic” in your opinion?

Vienna: I’d say “classic” could apply to any era. We love vintage Hollywood, which can range from the silents to the 1970s. For me it’s the 1930s, 1940s, and 1950s. It’s all so personal. I think all my film favorites are classics!  I’m not sure you can define a classic. There are many black-and-white films I wish had been made in color—westerns, musicals, comedies—but so many of the movies we love were made before color film became the norm. 

CMBA: What genres do you favor?

Vienna: My favorite genres are probably thrillers (ideal for black and white) and 1950s westerns. My favorite studio is probably RKO just because they made so many of my favorites.

CMBA: What is the most rewarding thing about blogging for you?

Vienna: I’ve been blogging for nearly ten years and two things stand out. I love the research and the fact that I am still finding out new things about stars or films. I love sharing thoughts and opinions with fellow fans. I’ve got a bad habit of starting lots of posts and then taking ages to finish them. I can’t admit how many I have on the go at the moment. To give you a clue, they include JUNE HAVOC, CRAIG’S WIFE, ANDREA KING, NINA FOCH, COME NEXT SPRING, HELEN GAHAGAN DOUGLAS, VILLAIN TO HERO, GRACE MOORE. And many more!

CMBA: Is there a classic film that you find yourself watching again and again?

Vienna: Maybe it’s not a classic, but a small film in my top 50 that I’ve watched many times is ARMORED CAR ROBBERY starring Charles McGraw. I also love Randolph Scott westerns, especially SEVEN MEN FROM NOW and HANGMAN’S KNOT.

 

Monday, April 4, 2022

Introducing the CMBA Spring Blogathon: Fun in the Sun!

It’s time to have Fun in the Sun! Whether it’s soaking up the sunshine outside or enjoying some of your favorite beach movies indoors (or outdoors!), there is lots of fun to be had all season long! 

CMBA is so excited to announce this year’s Spring Blogathon, “Fun in the Sun!” Join in the excitement and consider contributing a piece about one of the following topics:

 

·      Your favorite summer, vacation, or beach movie.

·      A classic film star who appeared in summer, vacation, or beach movies.

·      A filming location that is featured in a particular summer, vacation, or beach movie.

·      …Or something different that you feel fits the bill for our blogathon, including films with a darker or more dramatic film. We welcome your creativity!

 

As there is much to be explored in this year’s theme, we will not be accepting duplicate topics. Topic selections will be accepted in order of receipt. To select a topic, please notify CMBA about your topic choice, the name of your blog, as well as if you have a preference on which date you would like to publish your piece.

 

The blogathon runs from May 17-May 20th.

 

We look forward to another great blogathon!

 

Please feel free to promote the blogathon with the following banners: 











Friday, April 1, 2022

CMBA Profile: Love Letters from Old Hollywood


Each month, the CMBA profiles a classic movie blog. This month, we’re featuring Michaela of Love Letters from Old Hollywood.

CMBA: What makes a film a “classic” in your opinion?

LOVE LETTERS FROM OLD HOLLYWOOD: Personally, it needs to be at least 25 years old (although preferably much older) and there has to be a timelessness to it. That doesn’t mean the film can’t have dated references or anything, but it should have a quality to it that encourages you to keep revisiting it.

CMBA: What genres do you favor?

LOVE LETTERS FROM OLD HOLLYWOOD: I’m obsessed with musicals and romantic comedies. I definitely enjoy more serious genres, but it’s important to me (and my mental health, if we’re being honest) to surround myself with movies that make me feel good. I have to be in a specific mood to watch, say, a film noir or a melodrama, but I will always make time for a musical or rom-com, no matter how minor or silly they are.

CMBA: Why should people care about “old” black and white movies?

LOVE LETTERS FROM OLD HOLLYWOOD: The short answer is: they’re the best!

The longer answer: they’re vital cultural documents. They show us what life used to be like, but they also illustrate how the art of filmmaking was created and evolved. There is an artistry to black-and-white movies that, in my opinion, hasn’t really been matched since the Golden Age of Hollywood. Old movies are still incredibly influential to this day; to dismiss them because of their age is just insane.

I’ll stop there, but I could go on and on.

CMBA: What classic films do you recommend to people who may not have seen many older films?

LOVE LETTERS FROM OLD HOLLYWOOD: I always struggle with this question because I get so nervous recommending old movies to people who aren’t super aware of them. Plus, I usually try to cater my recommendations to what I know that specific person likes.

These aren’t the most original choices, but in the past, I’ve had great luck with Singin’ in the Rain (you can never go wrong with this film), Funny Face (Audrey Hepburn is a surefire way to get most people interested in the classics), All About Eve (that script! those performances!), It’s a Wonderful Life (never underestimate the power of George Bailey), Casablanca (come on, I had to say it), Some Like It Hot (still one of the funniest movies ever), and Top Hat (I will always try to get people to watch Fred and Ginger). I might even throw Mildred Pierce or Laura in there—film noir is often the best route for anyone who is skeptical about classic films and those two movies are just exceptional.

CMBA: What is the most rewarding thing about blogging for you?

LOVE LETTERS FROM OLD HOLLYWOOD: Connecting with other people! The whole reason I started a blog was to share my love of classic Hollywood with people who would understand and encourage it. I didn’t really have anyone in my life I could talk to about the magic of Esther Williams or Van Johnson’s adorableness or Eve Arden’s withering comebacks, so when I stumbled upon blogs that were dedicated to those same things that I cherished, it was miraculous. And everyone in this community is just so sweet and supportive! It has been a really lovely group to be a part of for the past eight years.