The CMBA profiles two classic movie blogs per month – on the 1st and the 15th. Today we're celebrating Jacqueline from Another Old Movie Blog.
Reading through Another Old Movie Blog is like sneaking into a film historian's library.
Reading through Another Old Movie Blog is like sneaking into a film historian's library.
Here you'll find reviews and film history on subjects and actors not often discussed. Once you click on this site, you might as well get comfortable – you'll likely be perusing it for the rest of the afternoon.
In addition to her blog, Jacqueline is also the author of the recently released biography Ann Blyth: Actress. Singer. Star. This is the first published comprehensive biography of Ms Blyth. Jacqueline says the idea of a book began with the "Year of Ann Blyth" series on her blog.
"It prefaced a year-long fascinating journey for me," says Jacqueline, "and led to the publication of my book on Ann Blyth. That post started it all–where readers left comments suggesting that I write a book."
You can read the series introduction HERE.
"It prefaced a year-long fascinating journey for me," says Jacqueline, "and led to the publication of my book on Ann Blyth. That post started it all–where readers left comments suggesting that I write a book."
You can read the series introduction HERE.
CMBA: What
sparked your interest in classic film?
Another Old Movie Blog: I’ve
always watched classic films, from my earliest memory. There were four TV
channels when I was a child, and old movies were a common filler on all
networks. My parents and older siblings watched classic films, so I grew
up in an environment where they were a normal part of my life. At some
point I began to perceive that the things happening in the movie happened a
very long time ago, and that intrigued me. I became aware this was a
window to the past, and with every movie, I was a time traveler.
CMBA: What
makes a film a "classic" in your opinion?
Another Old Movie Blog: Movies
made before 1965, preferably before 1960. The “classic” in classic films,
to me, has nothing to do with timeless quality. It is merely a
time-stamp. There are classic films and post-classic films, just as there
is the Renaissance and the Regency Period, the Antebellum years, and the Great
Depression. Eras. That’s all, no judgment call as to whether one
was better than the other. It’s just a category to define studio-era
films.
CMBA: What
classic film(s) do you recommend to people who say they hate old movies?
Another Old Movie Blog: People
who say they hate old movies should be kicked in the teeth.
Bawh-ha-ha-ha. There, now that I’ve gotten that off my chest. I suppose I would show
them The Best Years of Our Lives (1946), because it appeals to both men
and women, and reaches anyone from whatever perspective they carry. From
the first moments when we see those prosthetic hooks on Harold Russell, the
movie is gutsy and full of heart in an honest and forthright way. We are
taken in by Dana Andrews’ post-traumatic stress, by his failure to fit in with
the America he returns to after the war; with Frederic March’s restlessness and
heavy drinking; with the women of the story who are real and torn, and brave.
It breaks your heart. It’s romantic, and frank, and sentimental, but
always unblinkingly serious and never asking for pity. I think anyone can
relate to it and become interested. You get sucked into the story
from the first moments, and the hold it has over you lingers long after fade
out.
Actually,
I remember years ago, probably 30 years ago now, a woman I worked with told me
about the plot of a movie she had seen very late the night before. She
didn’t know the name, but she was up because she couldn’t sleep, and then the
movie had her so riveted she just couldn’t get to bed until she’d seen the end
of it. I listened, enjoying her description, watching the expressions change
on her face as she told me the story. Then I replied,
“The
Best Years of Our Lives. 1946.”
The
thing that was so terrific was that she seemed overjoyed that I knew about the
movie. She wanted to share it with someone in a way that was more than
just talking about it. She wanted me to feel it the same way she
did. She wasn’t a classic film fan, but we connected over a movie that
was made before either of us was born, was in black and white, and had
everything to do with our parents’ generation and not with ours. But that
didn’t matter. It belonged to us now.
CMBA: Why
should people care about classic film?
Another Old Movie Blog: Classic
films are the primer on our history and our pop culture. I discuss this,
and how I feel classic films should be taught in school, in my post from
January, the first in my monthly year-long series this year on the current
state of the classic film fan. I go into it more in depth there, but the
upshot is we need to know who we are, and classic films show us a big part of
who we are.
CMBA: What
is the most rewarding thing about blogging?
Another Old Movie Blog: Connecting
with other film fans, or even newcomers to classic film. It’s a joy to
read comments and to communicate through the blog and through email. I
learn a lot.
Another Old Movie Blog: The
biggest challenge is a lack of time. I blog once per week, and sometimes
it’s difficult to get that in, especially when I write the longer, more
in-depth posts. But there is no lack of subject matter. I have
enough to write about for the next million years. I just need the time.
CMBA: What
advice would you give to a new blogger?
Another Old Movie Blog: Take
care not to repeat “facts” that are not true, and not to treat tired old rumor
as gospel. Check your facts, verify them. Classic film bloggers are
replacing film historians as the chroniclers, even the arbiters, of film
history. Take your responsibility as such seriously. Your words are
going to bounce around the Internet forever. Make sure you’re right.
Thanks for joining us, Jacqueline. You can visit her blog by clicking HERE.
Thank you very much for including me in this series, always a pleasure to visit.
ReplyDeleteJacqueline, yours was one of the very first classic movie blogs I followed online. Keep up the great work.
DeleteThank you so much, Rupert.
DeleteI am a great admirer of Jacqueline's skill. She teaches with her blog in an always entertaining and thoughtful manner.
ReplyDeleteCW, you are too kind. I love your blog.
DeleteI am going to check out your new series!
ReplyDeleteAnd... "The Best Years of Our Lives" was an incredibly formative movie for me as a teen, so much so I've been worried to revisit it. But I will!
Go for it. You may find more to cling to emotionally in the movie as you age. Maturity is a wonderful thing to bring to old movies.
DeleteHi Jacqueline! A very interesting interview, thanks for contributing. I have a question, if you don't mind: You define Classic Film as an Era, and give us an endpoint for that Era, 1965 )or 1960). But when, for you, does the Classic Film Era begin? Surely not with Lumiere and Edison? Aren't there other pre-Classic Eras? For my own periodization (https://centuryfilmproject.org/periodization/), I break things down into fairly small blocks of time: "The Age of Attractions" (189?-1904), "The Nickelodeon Era" (1905-1914), "Silent Classical Period" (1915-1929, although this overlaps with the "Pre-Code Era" a bit)...Do you simply lump all of these into "Classic" or are there distinct periods?
ReplyDeleteMichael, that's a very interesting point. I suppose I do lump them all together, but they probably shouldn't be. The first pioneers in film really were not products of the studio system. I probably wouldn't break it down into such specific categories as you do, though. I might just slice it into silents and talkies. I think there are probably many knowledgeable fans of silent movies who may take your viewpoint of it.
DeleteI love it when you can help someone remember the title of a film they love. Very nice interview here.
ReplyDeleteJacqueline's blog is always thoroughly researched and fun to read. I'm also a fan of her Ann Blyth biography.
-- Java
Yet another favorite of mine, but I suppose I should stop saying that. Jacqueline reminds me I should be placed in the "I'm not worthy" folder. An honor to be in this group alongside the likes of her.
ReplyDeleteAurora
Once Upon a Screen
I'm overwhelmed, Aurora, thank you. You're in my "You're the Tops" folder.
DeleteThank you, Deborah. I'm especially indebted to you for suggesting the Blyth series should be a book.
ReplyDeleteGreat interview! I always enjoy checking out Jacqueline's blog and seeing what she has to say about classic films and the people behind them.
ReplyDeleteThank you Rick. I'm a big fan of your blog, and the other great bloggers here.
DeleteGreat read, Jacqueline! We're absolutely on the same page about what an amazing tool classic film is for helping us learn about/understand history and pop culture. I also feel some film history should be taught in schools. It's as much of an art form as literature, painting or sculpture, and has the benefit of actually showing what the past looked like. It's the closest to time travel that we're ever going to get.
ReplyDeleteGoing off of the discussion above, I categorize the "classic film" era as stretching from 1915-1965. Without question! (I can't for the life of me understand classic film lovers who never think to check out a film made pre-1929, especially when they know what it's like to deal with people turning up their noses at films from the '40s and '50s!)
I'M A FAN!!! That is all.
ReplyDeleteAurora
Once Upon a Screen
I am a great admirer of Jacqueline's skill. She teaches with her blog in an always entertaining and thoughtful manner.
ReplyDelete